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Meet Your Neighbor
Esther Wertheimer, Sculptor Extraordinaire
by Arlene Rodman

"I become my dancers. I fly with them," says Esther Wertheimer of her airborne sculptures that speak for her. During her thirty year career as a sculptor, Wertheimer has indeed flown far and to great heights. She lives to sculpt and lives intensely when she sculpts. "Work is my middle name," she says. "I'm a workaholic."

     Wertheimer's name transcends national borders. She has won numerous awards and has been touted by international critics as one of the most outstanding modern sculptors. She works with dozens of galleries and museums, has had untold articles published about her, lectures extensively and has had fifty solo exhibitions on four continents. Wertheimer is popular in Japan where she is presently working on a sculpture installation. How did our neighbor reach this pinnacle?

     There are many good sculptors but few who carve out a terrain all their own. Wertheimer is that kind of singular artist. Her message is uplifting, moving, dynamic. All of her graceful sculptures are integrated by intense humanism. They manifest the spirit and love of harmony, the vibrancy of life and the quest for freedom. This is what Wertheimer feels about herself.

     A perpetual optimist, her love of flowers, nature, dance and music is reflected in her home on a secluded cul-de-sac in Encantada. "I'm a single, free, liberated woman," says the petite blonde seated in her thirty foot high vaulted atrium, dominated by floor to ceiling bookshelves amidst her treasured sculptures. Here, looking out at her pool and cascading waterfall in subtropical greenery, the artist says she is inspired. Soft, classical music she likes to work by drifts throughout the contemporary home. Monochromatic rose pastel tones provide a backdrop to her art. The mood is at once energizing and serene.

     A sculpture, "The Seven Dancers," soars on the coffee table in lyrical beauty. Wertheimer describes the figures, 'A family forming a circle exuding excitement and happiness as they dance and hold each other." She always tries to bring rhythm to her sculptures. The artist has worked for two years on a nine foot enlargement of this piece, cast in Italy, for the opening next month of the Okaloosa Walton Community College Performing Arts Center in Florida.

     From a bowl of water she lifts a miniature wax model with a smooth finish, her signature. It will be cast in bronze at a foundry and enlarged to fit a specific commission. Her largest sculpture, which is in Toronto, is thirty feet high, and some of her pieces have six figure price tags.

     Wertheimer works with clay and by using the ancient lost wax casting method. Her workbench, a solitary bridge table under high windows, holds several small tools. She also makes gold plated jewelry miniatures of her famous statue of Dante's "Paolo and Francesea."

     Many of her outdoor sculptures enhance parks and public places around the globe. They have universal appeal because they depict fathers, mothers, children, dancers, all jubilantly reaching for a bright future.

     Born in Poland, the Canadian citizen has lived in Montreal most of her life and in Italy where she has studied and taught art. She frequently returns there, to her beloved artist colony, Pietrasanta. In her youth the artist has studied ballet and later she became a successful painter. She holds a masters degree in art history. Besides English, Wertheimer is fluent in French, Italian and Yiddish. Her two grown children live in Canada; a son, Earl, who is in the computer business and a daughter, Merle, a lawyer. Their mother says she has always "encouraged them to reach for the best in life, to open their minds to great ideas."

     Recently Wertheimer's sculptures graced Mizner Park and two large, exquisite pieces are on display in the main lobby of the Boca Pointe Country Club. "How fortunate we are to have Esther as a resident of Boca Pointe," said Kiki Berkowitz, a club Board member.

     In the airy, second floor office with state-of-the-art equipment in her 6,000 square foot house, where she has lived for the past six years, Wertheimer muses about her life. A university student helps with her voluminous correspondence and other duties. She manages all her own business affairs.

     "People think I'm a dilettante," says the sculptor. "They see me dressed up at night going to parties; I travel, they envy me." Actually her work is gruelling. She is continually organizing exhibitions, lecturing, attending dedications, crating and shipping collections, entertaining visitors. Wertheimer also frequently travels between Boca Raton and Montreal where she owns a home.

     When does this tireless woman sleep? "Sometimes I work through the night," she says matter-of-factly. Yet the artist still finds time to play a game of tennis in the Boca Pointe Country Club and to dance the night away, her great passion, with a good dance partner. One of her favorite artists is Rodin, whose work is now on display at the Norton Museum in West Palm Beach.

     Her gaze meanders as she talks reflectively. Often her thoughts seem to leap like her sculptures when she sweeps a visitor along the path of her travels: Greece, Hawaii, China, Singapore, Japan, Italy. The phone rings incessantly. In her spacious kitchen Wertheimer serves a delicious home-baked apple filled with raisins, dates and citrus fruit. The Grand Dame of Boca Raton Sculpture likes to cook.

     Glory and acclaim have not jaded her. She is sensitive, soft-spoken and warm, with a wistful expression that belies her fierce determination to excel and, occasionally, to move mountains. She says her climb to fame was largely due to her positive approach. "Chutzpa", she calls it.

     Not faint of heart, Wertheimer once took a trip around the world to contact important art galleries. "This is what I do," she told them exuberantly showing her portfolio. "I would like to have an exhibition. I'm great and you'll make money. What are you going to do for me?"

     They all wanted her. But each time, she chose a gallery that would do the most to introduce her. Her buoyancy and determination, expressed in her sculptures, were the best calling card. And it worked.


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